Free Download Homegoing, by Yaa Gyasi

Free Download Homegoing, by Yaa Gyasi

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Homegoing, by Yaa Gyasi

Free Download Homegoing, by Yaa Gyasi

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Review

“Homegoing is an inspiration.” —Ta-Nehisi Coates"Spectacular." —Zadie Smith“Powerful. . . . Compelling. . . . Illuminating.” —The Boston Globe   “A blazing success.” —Los Angeles Times   “I could not put this book down.” —Roxane Gay   “Devastating. . . . Luminous.” —Entertainment Weekly   “A beautiful story.” —Trevor Noah, The Daily Show   “Spellbinding.” —Minneapolis Star Tribune “Dazzling. . . . Devastating. . . . Truly captivating.” —The Washington Post“Brims with compassion. . . . Yaa Gyasi has given rare and heroic voice to the missing and suppressed.” —NPR   “Tremendous . . . Spectacular. . . . Essential reading.” —San Francisco Chronicle “Magical. . . . Hypnotic. . . . Yaa Gyasi [is] a stirringly gifted writer.” —The New York Times Book Review “Powerful. . . . Gyasi has delivered something unbelievably tough to pull off: a centuries-spanning epic of interlinked short stories. . . . She has a poet’s ability to pain a scene with a handful of phrases.” —The Christian Science Monitor “Thanks to Ms. Gyasi’s instinctive storytelling gifts, the book leaves the reader with a visceral understanding of both the savage realities of slavery and the emotional damage that is handed down, over the centuries. . . . By its conclusion, the characters’ tales of loss and resilience have acquired an inexorable and cumulative emotional weight.” —The New York Times “[Toni Morrison’s] influence is palpable in Gyasi’s historicity and lyricism; she shares Morrison’s uncanny ability to crystalize, in a single event, slavery’s moral and emotional fallout. . . . No novel has better illustrated the way in which racism became institutionalized in this country.” —Vogue “Gyasi gives voice, and an empathetic ear, to the ensuing seven generations of flawed and deeply human descendants, creating a patchwork mastery of historical fiction.” —Elle “A remarkable feat—a novel at once epic and intimate, capturing the moral weight of history as it bears down on individual struggles, hopes, and fears. A tremendous debut.” —Phil Klay, National Book Award-winning author of Redeployment “Rich. . . . Fascinating. . . . Each chapter is tightly plotted, and there are suspenseful, even spectacular climaxes.” —Vulture  “[A] commanding debut . . . will stay with you long after you’ve finished reading. When people talk about all the things fiction can teach its readers, they’re talking about books like this.” —Marie Claire “Homegoing weaves a spectacular epic. . . . Gyasi gives voice not just to a single person or moment, but to a resonant chorus of eight generations.” —Los Angeles Review of Books “Moving. . . . Compelling. . . . Gyasi is an enormously talented writer.” —The Dallas Morning News “I cannot remember the last time I read a novel that made me want to use the adjective perfect. . . . Yaa Gyasi’s Homegoing is a feat rarely achieved: a book with the scope of world history and the craft of something much smaller. . . . The cumulative effect is staggering.” —Molly McArdle, Brooklyn Magazine  “Carrying on in the tradition of her foremothers—like Toni Morrison, Edwidge Danticat, Assia Djebar and Bessie Head—Gyasi has created a marvelous work of fiction that both embraces and re-writes history.” —Paste “Impressive . . . intricate in plot and scope. . . . Homegoing serves as a modern-day reconstruction of lost and untold narratives—and a desire to move forward.” —Miami Herald“Heart-wrenching . . . . Yaa Gyasi’s assured Homegoing is a panorama of splendid faces.” —Atlanta Journal-Constitution “A remarkable achievement, marking the arrival of a powerful new voice in fiction.” —St. Louis Post-Dispatch “Luminous. . . . The author thrillingly depicts her characters’ migrations from mud-hut villages to Harlem's jazz clubs to Ghana's silvered beaches, celebrating how place and fate shape us all.” —Oprah.com “Epic . . . a timely, riveting portrayal of the global African Diaspora—and the aftereffects that linger on to this day.” —The Root “An emotional, beautiful, and remarkable book. . . . Homegoing is stunning—a truly heartbreaking work of literary genius.” —Bustle “An important, riveting page-turner filled with beautiful prose, Homegoing shoots for the moon and lands right on it.” —Buzzfeed

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About the Author

Yaa Gyasi was born in Ghana and raised in Huntsville, Alabama. She holds a BA in English from Stanford University and an MFA from the Iowa Writers’ Workshop, where she held a Dean’s Graduate Research Fellowship. She lives in New York City.

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Product details

Paperback: 320 pages

Publisher: Vintage; Reprint edition (May 2, 2017)

Language: English

ISBN-10: 1101971061

ISBN-13: 978-1101971062

Product Dimensions:

5.1 x 0.7 x 8 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

1,875 customer reviews

Amazon Best Sellers Rank:

#1,366 in Books (See Top 100 in Books)

How I wish Amazon would let us give 4½-star reviews. I don't think this is a perfect book. The characters are somewhat flat and predictable, and because of the way Ms Gyasi has decided to tell her story -- more like a group of related stories than a novel -- it's hard to get close to them; just as you think you're getting there, the story stops and you're on to the next generation and/or a different continent. The plot is also somewhat -- though not entirely -- predictable, as you see how the sins of the father and mother, or more accurately the sins of their masters, are visited upon subsequent generations. And the ending is a bit pat.That being said, it's a very, very good book, and for not the first time it reminded me that the word "diaspora" should not be limited to the religion into which I was born. In fact, in some ways it's far more applicable to Africans, who were literally stolen and torn from their homes (i.e., they did not flee to avoid a harsh conqueror). It also reminded me that no matter how empathetic I may be, it is literally impossible for me to understand the psychology of a people who were enslaved by white people for centuries; how does one "get over it"? Even if discrimination no longer existed and we were truly living in a post-racial society (which we are most assuredly not), how do you live and deal with the knowledge that your ancestors were sold, separated from each other, brutalized and so on?For that reason alone, this book merits high ratings. And Ms. Gyasi surely knows how to tell a story. I finished this book in a couple of days, but if work and life didn't get in the way I would probably have read it in one-sitting, non-stop. Despite the flatness of the characters and the plot, it's a terrific read.It's hard to believe this is a first novel, and I anxiously await her further work.

I chose this book on a whim for my book club because of the good reviews, and because it seemed like something different then we'd been reading. It normally wouldn't be a book that I'd have picked for myself, just based on the summary. But I honestly think I'd go so far as to say this book had an impact on me and my life. I LOVED IT. I genuinely love all people and consider myself a really welcoming and open minded person, but this book opened my eyes to just how ignorant I still am... to the struggles black people have faced in the past, to how white people and christians in America have probably been taught just one version of history, not necessarily the right version, a reminder that all people are just people, and bigger than that, how both chance and our ancestors have such an effect on our lives today. It made me feel both part of a bigger picture of family history, and also so small-- just one generation that will die off and then the world will be left to my descendants. On top of that, the writing is beautiful and I got completely lost in the stories of each generation.

Homegoing begins in fire, as a house slave sets herself free by burning her master's African village to the ground, and ends in the ocean, as two of her two descendants - from two completely different lineages - find, finally, perhaps, a sort of reconciliation. In between, Ms. Gyasi traces the entire history of Africa and African-Americans. For the slave, Maame, had two daughters: the daughter of her captor, who she left behind in the burning village; and the daughter of her real husband. Effia and Esi grow up in warring villages, each only a distant rumor to the other, and they take wildly different paths.Effia is sold to a white British lord, living in Africa to negotiate the slave trade, and she spurs a line of descendants who grapple with the impact of the slave trade within Africa. The story of how slavery began in Africa is not one I knew well, and it was heartbreaking and jarring, to learn how the different tribes stalked and captured each other, selling rival sons and daughters and wives to the British, fueling the trade.Esi is herself captured, and kept in the dungeon of the Castle where her sister lives as the "wench" wife of a British trader, until she is sent through the Middle Passage to America, into slavery. The story of Esi's life in the dungeon, waiting to be shipped she knows not where, like every bit of the book, is so detailed and rich and true that it is astonishing to realize the author is only 26 years old. This book could easily be a lifetime achievement, and instead it is just the beginning of what I imagine will be an amazing body of work.Homegoing has many, many, many strengths, and perhaps just one weakness. The strengths are found in the story, and in the writing. It is a glory of riches. From the wars between the Asante and Esperante tribes in Africa in the 1700s to the Middle Passage to the slave plantations to life as a freeman in the North to the villages of Africa in the 1800s, to Harlem, through to the impact of the prison culture and drug culture of modern day America, the scope of this book is astonishing. And it is only 300 pages long.My one wish with the book is that it started to feel a little bit that I was getting a glimpse of a life, when I wanted more. In some ways, the book is a series of interlocking short stories: every chapter is the story of one character, representing that generation There are 14 chapters, I think; seven generations, and Esi, Effia and each of their descendants get one story per generation. So we see Esi in the Dungeon, and on the Middle Passage, but then we do not see her again. We hear from her daughter, Ness, that Esi in America was known as "Frownie" because she never smiled, and that when Ness was born, there was a strange sound heard, which some suspect was the sound of Esi laughing because it was never heard before or since. I cared for Esi, and wished we had heard more of her story after she reached America. Similarly, Ness herself represents the story of slavery, but we only have about 20 pages with her. Those pages are wisely used - I fell in love with her and with Sam, her proud African husband - but again, it is gone so quickly. It was hard not to feel some frustration; these characters and stories started to feel almost wasted, so much richness that we just didn't get a chance to explore.I came to understand that Ms. Gyasi is telling the story not of one person, or even one family, but instead, tracing a much larger theme, and arc, of the cost of cruelty, and the redeeming power of sacrificial love. The story begins with a slave escaping (an African slave escaping from an African village), and ends hundreds of years later, as two of that slave's descendants return to the village, and to the ocean. It is a promise of healing through the most horrible crimes, for which the most horrible price is paid. On some level, it is so much more powerful than yet another story about a family. And yet - I cared so much for these people, I wish I had known them a bit more. But maybe that is the point as well.

"Homegoing" is why I love to read. The stories in this novel span eight generations of a single Ghanian family. By merest circumstance, Effia's branch stays free in Ghana while Esi's branch is sold into slavery in the American South. Each chapter tells the story one member of the family. Stories alternate from one side of the Atlantic to the other though the novel begins and ends in Africa. And while the book is ambitious spanning both time and geography, the stories themselves are personal and intimate. The American stories, in particular, ring true as Ness, Jo, H., Willie, Sonny, and Marcus live in slave-holding, Jim Crow, and segregated America. How someone as young as Ms. Gyasi can write such touching and beautiful prose as is found in "Homegoing" is beyond me. This book deserves to be read by every American.

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